Rainbow column kite cartoon12/27/2023 ![]() The artist seems to be waking up from a magical and transportive dream to a man’s voice who asks her critical questions about her existence that she answers with reflections from the dream. Ásdís Sif Gunnarsdóttir’s Misty Blue Rain captures a conversation between a man and a woman in an oneiric atmosphere filtered by a fractal lens as though laying bare the dimensions at our disposal. One can enter through the same porosity and open capacity for sensing with sound and vision in unison that only video can present with precise harmony.įrom our entry into this opening in the earth’s skin, we go to a scene presented at the precipice of two worlds. With the rhythms relayed as visual sequence, a tone is presented that is equally as penetrating as the vision. With Gaia Breathing Variation lll, we see deconstruction and construction in the same miasmic breath. In a pulsing manipulation of the breathing already inherent in the body of the earth, it is further impressed on us how much this earth is also our body. In the work, an opening in the earth is shown and from there we make our journey inward. The series begins with Sigrún Harðardóttir’s Gaia Breathing Variation lll. Misty Blue Rain (2015) by Ásdís Sif Gunnarsdóttir These works provide an intersection between spirit and body in which technology is at the synaesthetic forefront. Using the imagination to record sensory perceptions, the works are strung between two worlds, or perhaps three, like a secretary between the imagined world, physical reality, and our technological condition. ![]() Besides presenting images of the Icelandic landscape, the works also traverse between imagination and sensibility in a layered movement that travels from the surface to the interior. Three Icelandic artists will be exhibiting works between January and October 2018. Emerging from a site of public consumption, this exhibition series expands notions of light and electronic images from the art museum and is mobilized into a new spatial recognition that is part of the experience of motion, transit, and spectatorial life. The screen, however, is an apparition in itself, made through the transmission of light. In a variety of contexts, a screen can trace memory and imagination, as well as equally geographic layers of the physical landscape- it is on the screen in which they are folded into a projectionable entity. The cultural landscape of today is in many ways defined by the images presented to us on screens. They connect light and video in ways that bring an element of presence to the visitor’s experience of the location. ![]() Their work comprises of many aspects of the capabilities of the moving image that are especially fitting in the non-place of in-between that is an international airport. Selected Icelandic artists will be exhibiting works throughout 2018. Gaia Breathing Variation lll (2017) by Sigrún Harðardóttir Scheving has worked for over a decade doing similar projects with light installations and video-art in public spaces. The exhibitions are unique in that the visitor is present in the installation upon walking into the customs checkpoint all the way upon entering the departure lounge. Isavia has invited artist and curator, Kristín Scheving, to curate a series of art exhibitions which utilize the lighting systems in juxtaposition with videoart at Keflavík International Airport.
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